Mock Objects is a moving image work which consists of a modified version of the debugging output of a popular JavaScript AR library, js-aruco. It shows the augmented reality software algorithm’s best guess of the orientation of a marker in a video scene. Since […]
All posts tagged “Installation”
Invisible Layers
Invisible Layers (2015) takes as its starting point the mismatch between experience of the infrastructural landscape and the way this landscape is imaged. The piece uses terrain data from the United States Geographical Service and map data from the crowd-sourced Open Street Map to compile […]
Camera Obscura
The camera obscura is a type of tourist attraction found in many seaside resorts in which a projected image of the scene outside can be viewed from within a large darkened room.
Surfaces
Produced on a guest artist residency at Lademoen Kunstnerverksteder, Trondheim, Norway that was supported by the National Lottery through Arts Council England.
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Produced on a guest artist residency at Lademoen Kunstnerverksteder, Trondheim, Norway that was supported by the National Lottery through Arts Council England.
Off/on
Produced on a guest artist residency at Lademoen Kunstnerverksteder, Trondheim, Norway that was supported by the National Lottery through Arts Council England.
WindNoise.mp3
Produced on a guest artist residency at Lademoen Kunstnerverksteder, Trondheim, Norway that was supported by the National Lottery through Arts Council England.
S/N
A video of a murky sea breaking on a dark shale beach. The sky slowly shifts in colour and birds cross the frame, placing the image in the same temporal frame of reference as the viewer.
Unanchored
The shipping forecast is a radio broadcast by the BBC providing a vital set of data about sea conditions in the waters around the UK. To the non-maritime listener, the language used in it is poetic and obscure, as particular areas of water are named […]
The General Situation
The General Situation is a video work that experiments with temporary minimal electronic interventions into the landscape. It documents the installation of a number of small light sources on Chesil Beach beneath a Jurassic period cliff top.
I Hear You Singing In The Wire
This piece consists of Glen Campbell’s version of Wichita Lineman played through a sequence of reverb filters.
Analogue
Tuning a long-wave radio makes audible the atmospheric conditions that are the basis of radio broadcasting, as the radio receiver interprets the spaces between stations as broadcasts in themselves.
Long Wave Goodbye
Long Wave Goodbye is a development of previous work that used radio static.
Superstructures
Superstructures is a twin-screen DVD piece that presents the input and output of a bespoke computer program which had been programmed to respond to levels of ambient light.
Unaffected
Unaffected explores a sense of stasis and proairetic expectation engendered by looped footage.
Transit
Transit is an audiovisual installation and downloadable software application. Initially commissioned by Hull Time Based Arts, it was first exhibited in the Timebase Gallery in March 2005.
Scramble
Scramble, the first collaboration between Neil Webb and Michael Day, creates a disorienting and unsettling vision of urban space and the experience of isolation felt when communication breaks down.
Incidence
Incidence is a single-screen piece based on images of the natural environment abstracted using technological processes.
Slow Wave Sleep
A light source above ground shines through a disused coal chute into the exhibition space, dramatically lighting dust and cobwebs which move in the breeze.
Hand Dance
The audience members’ improvised hand gestures create developing recursive imagery: the spontaneous, improvised hand gesture of the audience, a performance in miniature, is amplified and multiplied into an evolving and organic image and sound environment.
Counting Time
On entering the space, the viewer is confronted by a projection screen. Visible on the screen is an image of the room and viewer, fed from a video camera near the base of the screen.